Trouble
Live art is by nature a territory where dance flirts with the visual arts. The artists mentioned here, Steven Cohen and Janez Jansa/Maska, work on those fringes. Their work was presented at the festival Trouble which, each year in the Halles of Schaerbeek in Brussels, shakes the establishment and allows interaction with artists from the visual arts, like Myriam Laplante. Here are our troubles with the works we saw.
Cohen Cohen Cohen – Trouble trouble trouble
The strongest asset of a festival is also it’s flaw: too much! “What? You missed another performance!?” A flaw that echoes the massive offering (cultural or other) in our peaceful western societies. But the merit of a festival, notwithstanding the proper use of the festival in question, is that one can also stop the internal clock and let oneself be submerged in the mental fluctuation it causes. Remain hypnotised. Follow the artist with the long eyelashes – Steven Cohen – into his dressing room, take off his make-up to discover what he looks like without it and accompany him home, to South Africa. Perched high on his stilts (30 cm high heels) he walks slowly and stumbles often, just like the civilization he seems to target ...
Weiterlesen mit dem digitalen Monats-Abo
Sie sind bereits Abonnent von tanz? Loggen Sie sich hier ein
- Alle tanz-Artikel online lesen
- Zugang zum ePaper
- Lesegenuss auf allen Endgeräten
- Zugang zum Onlinearchiv von tanz
Sie können alle Vorteile des Abos
sofort nutzen
Tanz Jahrbuch 2008
Rubrik: Trouble, Seite 98
von Sybille Cornet, Béatrice Didier, Linda Lewkowicz
“I don’t like dance,” says Ben J. Riepe. The 29 year-old choreographer is serious: “The attitude, the affectation, the intrigues.” Dance has not yet realised its potential and is still hanging on to old ballet clichés. “Contemporary dance is all the same, simply awful,” he says scathingly, raising his voice a few decibels – not only because the Düsseldorf bar where...
Create, intervene within the cities despite constraints imposed by increasingly severe security rules … Artists’ “actions” in urban settings are becoming more and more difficult to put into place. Unless they foray into new terrain …
What is the artist’s place in the European urban space? Posing this question amounts to questioning the “street” artists as to...
Whilst often considered as an eclectic artist, with fingers in many pies, the reality is that for many years Christian Rizzo has been ploughing the same furrow. He is an artist who writes in gestures: each is repeated incessantly, taking on more and more importance, like those of a craftsman and which leave their mark in many different domains. Dance is just one of...
