Jeremy Nelson

Tanz - Logo

Jeremy Nelson is a dancer/choreographer and former member of the Stephen Petronio Dance Company. He has also danced for David Zambrano, Susan Rethorst, Luis Lara Malvacías as well as with improviser Kirstie Simson. He received a New York Dance and Performance Bessie Award for performance in 1991 and a Guggenheim Fellowship for choreography in 2004. He is a faculty member of Movement Research in New York and in the last 20 years he has taught classes and workshops in over 30 countries at venues including ADF, ImPulsTanz, P.A.R.T.S., and sasha waltz & guests, to name only a few.

In New York his choreography has been presented at Danspace Project, DTW and PS 122 and abroad in countries including Spain, Germany, the UK, Finland, Slovakia, Canada, Venezuela, Chile, Argentina, Uruguay and Japan.

What do you teach? I teach contemporary dance technique that emphasizes the use of the support of the skeletal structure and the deep supporting muscles, and the healthful and efficient use of the body. The classes are influenced by my years of study of Klein/Mahler technique, and more recent studies in Alexander Technique®, Contact Improvisation and Body-Mind Centering®.

In a word: What do you ...

Weiterlesen mit dem digitalen Monats-Abo

Sie sind bereits Abonnent von tanz? Loggen Sie sich hier ein
  • Alle tanz-Artikel online lesen
  • Zugang zum ePaper
  • Lesegenuss auf allen Endgeräten
  • Zugang zum Onlinearchiv von tanz

Sie können alle Vorteile des Abos
sofort nutzen

Digital-Abo testen

Tanz August/September 2007
Rubrik: The Teacher, Seite 104
von

Vergriffen
Weitere Beiträge
Kann man Choreografieren lernen?

Für den Choreografen heißt es wie für den Schriftsteller: Wenn du das Alphabet beherrschst und die Worte deiner Sprache, dann vielleicht. Und wie es zum Schreiben an den Unis längst hunderte Kurse gibt, gern und harmlos «Kreatives Schreiben» genannt, soll es nun zunehmend universitätsgesteuerte Ausbildungen zur Choreografie geben: Damit werden zwei Hoffnungen...

Édouard Lock

There is genius at play in Édouard Lock’s new ballet, “Amjad.” As a product of his evolving exploration of pointe work – it’s been four years since the choreographer first brought his last creation, “Amélia,” to a Montreal stage – the new ballet has nothing to do with copycat imitation. Instead, Lock invests heavily in ironic juxtapositions of Romantic era...

Virve Sutinen

Virve Sutinen has been appointed new director of Dansens Hus Stockholm, to take over in January 2008 when present director Kenneth Kvarnström leaves his desk for the rehearsal studio again. A choreographer, editor and scholar, Virve Sutinen is one of the founders of the Kiasma museum for contemporary art in Helsinki. Since it opened in 1998, she served on the board...