Do the roll

Steve Paxton holds workshops based on his “Material for the Spine” in Brussels and Paris. Moving on from Contact Improvisation, he invites students to sense their spines in a large studio at the Centre national de la danse.

Tanz - Logo

Steve, in “Material for the Spine,” what lies behind the word “material?” It’s movement material, to bring the spine to awareness. When I started this in 1986 it seemed to me that people could have perfectly useable and eloquent spines without ever having any sense of the spine itself which is not easily sensed. It does not provide a lot of sensations unless it is injured which is kind of a difficult way to learn about it. It has dulled sensations and you can operate around it.

This has been an interesting search because the spine is not isolated from the rest of the body, so you have to figure out these connections and the next parts. I consider the pelvis and the skull a part of the spine, even though they are slightly separate. So I started learning about the hip sockets and the arm twines. I’m studying them from the inside out instead of from the arm through the shoulder.

Practically everybody grows up with malformation of the spine as a consequence of inappropriate seats etc., mainly at school. That’s true. Humanity didn’t evolve upright in the beginning. It doesn’t make sense to me that our sinuses have to work against gravity. When you cough you have to cough upward and that ...

Weiterlesen mit dem digitalen Monats-Abo

Sie sind bereits Abonnent von tanz? Loggen Sie sich hier ein
  • Alle tanz-Artikel online lesen
  • Zugang zum ePaper
  • Lesegenuss auf allen Endgeräten
  • Zugang zum Onlinearchiv von tanz

Sie können alle Vorteile des Abos
sofort nutzen

Digital-Abo testen

Tanz April 2007
Rubrik: Awareness, Seite 76
von Thomas Hahn

Vergriffen
Weitere Beiträge
Hooman Sharifi

One evening, as audience members mill about the foyer of Black Box Teater in Oslo, a Norwegian radio journalist approaches those waiting with the question: “What comes to mind when I say the name Hooman Sharifi?”

Any story about Hooman Sharifi inevitably includes his personal history. Even theatre-goers who are familiar with his work, such as those in Oslo, focus...

Márcia Haydée wird 70

Márcia Haydée wird 70, und das am 18. April. Drei Tage später feiert die ehemalige Primaballerina und langjährige Prinzipalin des Stuttgarter Balletts ihren Geburtstag in Stuttgart: tanzend, als Lady Capulet in Crankos «Romeo und Julia» im Kreis illustrer Kollegen, zu denen u. a. Sir Peter Wright, Egon Madsen, John Neumeier, Paul Chalmer, Tamas Detrich, Georgette...

Ed Wubbe mit «De Bruiden»

The dreaded ghosts of history were invoked by  Ed Wubbe  at the premiere of his performance  De Bruiden  (The Brides). It is not surprising that the Ballets Russes performed this piece as “Les noces” in 1923; it must have appealed to their sense of musical daring. This new choreography – performed by  Scapino Ballet Rotterdam – provided a unique re-visualization,...