art object
The art of Tino Sehgal is unique. Without objects, such as paintings or sculptures, it cannot be considered an installation, and according to the artist, it is not performance.
Born in London 1976, Tino Sehgal, who lives and works in Berlin, received just recently the prestigious 80 000 Swiss Francs Zurich Art Prize. He is what we call a famous artist. But his artistic background and education represents a quite unusual combination: political economy and dance. He studied in Berlin and in Essen, and made his debut as an artist at the age of 24, in 2000.
In producing works that are neither physical nor material, and by refusing any kind of documentation of them, he takes a clear stand for the protection of global environment and against a structure of economy that relies on exploitation.
Sehgal, who always travels by environmentally friendly trains or boats even to very distant destinations, has shown his work in a number of prestigious art venues such as the Venice Biennale and Art Basel. In Venice he showed “This is Propaganda;” the exhibition guides began to dance and sing “This is propaganda, you know, you know,” circling around the visitors.
In the art gallery Magasin 3 ...
Weiterlesen mit dem digitalen Monats-Abo
Sie sind bereits Abonnent von tanz? Loggen Sie sich hier ein
- Alle tanz-Artikel online lesen
- Zugang zum ePaper
- Lesegenuss auf allen Endgeräten
- Zugang zum Onlinearchiv von tanz
Sie können alle Vorteile des Abos
sofort nutzen
Welcome to our team!
TEAM stands for Transdisciplinary European Arts Magazines. For arts magazines that like to think outside the box. Not publications for specialists and insiders only, but good companions for a public with a genuine interest in the arts. Nobody is solely and exclusively interested in dance, visual arts, or music – each of those art forms is a...
Jan Fabre, famous as you are, you do still very much like to take risks it seems.
It depends on what type of risk you are talking about: mental, physical or social risk. I often feel alone in the artistic landscape, because what I say, I do; what I make, I am. There are not many artists who are free to take risks, particularly in theatre. They are so steeped in...
Live art is by nature a territory where dance flirts with the visual arts. The artists mentioned here, Steven Cohen and Janez Jansa/Maska, work on those fringes. Their work was presented at the festival Trouble which, each year in the Halles of Schaerbeek in Brussels, shakes the establishment and allows interaction with artists from the visual arts, like Myriam...
