Welcome to our team!

Welcome to our team!

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Welcome to our team!

 

TEAM stands for Transdisciplinary European Arts Magazines. For arts magazines that like to think outside the box. Not publications for specialists and insiders only, but good companions for a public with a genuine interest in the arts. Nobody is solely and exclusively interested in dance, visual arts, or music – each of those art forms is a living part of our world. And that stretches from Scandinavia to Spain, from Greece to Great Britain. We call it Europe – and the language of Europe, according to Umberto Eco is: translation.

 

 

Europe is not Babel, and yet, 25 languages are a lot for the smallest of the continents. How does the public communicate about the arts, which defy borders – their own and those of nations – unremittingly? 

 

TEAM is a network of magazines that respect their own languages while seeing themselves as European. ballet-tanz is part of that network and has the pleasure of hosting ten magazines from that pool in this year’s yearbook: a partnership of journalists and critics, our and your in situ investigators as it were, who will not be deterred by language barriers. 

 

And this is why this collaborative TEAM yearbook is multilingual; ...

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Tanz Jahrbuch 2008
Rubrik: Editorial, Seite 4
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Weitere Beiträge
Landing 08

The dance project Landing08 took place at St Olavs Hospital in Trondheim, Norway. Part festival, part context-specific series of performances and stunts, the coalition of dance artists aimed to produce dance specifically for this context. Nine performances and four installations varied between site-specific dances utilising the hospital’s architecture, space and...

On risk

Jan Fabre, famous as you are, you do still very much like to take risks it seems.

 

It depends on what type of risk you are talking about: mental, physical or social risk. I often feel alone in the artistic landscape, because what I say, I do; what I make, I am. There are not many artists who are free to take risks, particularly in theatre. They are so steeped in...

Expensive

 

Why is there a double-digit million dollar difference between Damien Hirst’s shark in formaldehyde and the aquarium dances of Sasha Waltz or William Forsythe? 

 

The answer is obvious? One is art and the other lasts 90 minutes. Stop! THAT difference is based on the inability to let go of our past as hunters and gatherers. And however reasonable it seems to treat...