Darling Mårten

Mårten Spångberg avanciert zum Liebling der Schweden

Tanz - Logo

Darling Mårten, if there is any one person merited to be called the Diva of Swedish dance it is you, Mårten Spångberg. Like no one else you can do whatever you like on stage – and get the ordinary audience as well as the elite come running for tickets. Now you have new venture, the solo “Heja Sverige” (Go for it Sweden!), performed in the studio of Moderna Dansteatern on a floor that is lighted in a pattern reminding me of a hazy M.

Dressed in a Swedish national costume – complete except for a pair of trendy sneakers – and dancing to a recording of piano improvisations based on traditional musical themes played by Jan Johansson, the Swedish jazz legend. Wow, how you managed to epitomize the concept of the “Swede” (i.e. a somewhat mediocre and a bit too shy but honest person). Isn’t it a personal reflection consisting of reminiscences of Swedish folk dances? You did it? But distantly your solo reminds me of the American post modernist project, the breaking down of hierarchies to give everybody access to dance. And perhaps your aim is to encourage us Swedes and likewise inclined persons to liberate ourselves from our hang ups that stop us from doing anything we do not have a permit ...

Weiterlesen mit dem digitalen Monats-Abo

Sie sind bereits Abonnent von tanz? Loggen Sie sich hier ein
  • Alle tanz-Artikel online lesen
  • Zugang zum ePaper
  • Lesegenuss auf allen Endgeräten
  • Zugang zum Onlinearchiv von tanz

Sie können alle Vorteile des Abos
sofort nutzen

Digital-Abo testen

Tanz Januar 2006
Rubrik: Magazin, Seite 20
von Lena Andrén

Vergriffen
Weitere Beiträge
Football, c’est full impro, quoi?

Könnten nicht Ballettkritiker an Premierensamstagen im Radio etwas Ähnliches machen wie Fußballreporter bei der Bundesliga? Wäre es nicht reizvoll, eine Ballettaufführung live zu kommentieren? Vergleiche und Statistiken etwa, wie sie in den Fußballsendungen häufig angeführt werden, ließen sich zu berühmten Klassikern im Tanz leicht zusammenstellen. Statt die...

Cirkus Cirkör: «Havfruen»

As a tribute to the Hans Christian Andersen anniversary, the Danish theatre Kaleidoskop and the Swedish contemporary circus company Cirkus Cirkör created “Havfruen“ based on “The Little Mermaid,“ one of HC Andersen‘s most complex (and autobiographical?) tales. Not as innocent as Disney would like us to believe, “The Mermaid“ is a story about sexual awakening, the...

Jyrki Karttunen: «Human Imitations»

After his computer-aided trip into the digital world with “Fairy“(2002) , the Finnish choreographer is now searching again for the basics of performance: how the action on stage forms a relationship between performers and spectators and how the different roles of the dancers affect this relationship. According to Karttunen, “Human Imi­tations” could equally be...