85 dancers who hardly touch
French ballet master and choreographer Patrice Bart from L’Opéra national de Paris has been busy working on new ballets with a classical vocabulary. Last year he created a ballet called “The Little Dancer” for Paris Opera Ballet based on the dance figures of the French painter and sculptor Edgar Degas. For Finnish National Ballet he created a highly acclaimed version of “Don Quixote” in 1997, which was a box office hit in Helsinki for many years and is returning to the stage in January 2006.
It took Bart eight years to come back to Helsinki and create a new ballet for Finnish dancers, this time on the tempestuous life and death of 19th century composer Tchaikovsky. Bart’s “Tchaikovsky” is based on the biography by French author Ghislaine Juramie with whom he has put together a concept consisting of 18 episodes – absolutely too much for a story ballet.
While the central composition in the music dramaturgy is naturally the 6th symphony, “Pathétique,” Tchaikovsky’s self-portrait in music, much of the time short excerpts of many other compositions are played, resulting in a real puzzle of music and characters; an old-fashioned story ballet constructed with repeated blackouts and ...
Weiterlesen mit dem digitalen Monats-Abo
Sie sind bereits Abonnent von tanz? Loggen Sie sich hier ein
- Alle tanz-Artikel online lesen
- Zugang zum ePaper
- Lesegenuss auf allen Endgeräten
- Zugang zum Onlinearchiv von tanz
Sie können alle Vorteile des Abos
sofort nutzen
The fifth anniversary Mariinsky Festival started in March with the premiere of two ballets: William Forsythe’s 1996 “Approximate Sonata” and a new ballet by British choreographer David Dawson, “Reverence.” That this is the second year in which the Mariinsky opens with a Forsythe choreography testifies to the radical changes taking place in the “House Of Petipa.”...
The Dance Museum in Stockholm is hosting Navigation, seven sensory installations by the choreographer and researcher Åsa Unander-Scharin. The process leading up to “Navigation” started in 1993 when Unander-Scharin got to know about Motographicon, a programming system created by Peter Rajka and Manus Lundin at Royal Institute of Technology in Stockholm. Since she...
Deborah Colker schwor sich in Rio, ein Bondage-Ballett zu inszenieren. «Nó» sollte es heißen, brasilianisch für Knoten. Dieselbe Musik, anders abgemischt, aus der sich schon «Ela» vor zwei Jahren an der Komischen Oper Berlin nährte. Unter einem dürren Baumstamm. Nun ist der Baum mächtig gewachsen. 120 Schnüre hängen wie Lianen. Aus der Verführszene von einst, Adam...
