Wayne McGregor: «Entity»
Wayne McGregor has opined that his primary aspiration has been the communication of philosophical or scientific ideas through the human body. He has explored concepts through medical and computer science and his aim in “Entity” was to question the process of activity in the brain at the inception of the choreographic process and how one begins to model this intelligence in a computer.
This congress of dance and technology has resulted in previous McGregor works in which the human body has taken on the forms of insect or alien life and in many ways “Entity” is no different from these other essays into this field. At its most banal level the result can look like Monty Python’s “Ministry of Funny Walks;” at its most successful like something universally eternal. It is an incontrovertible fact that the human body has its limitations when expressing intellectual notions but the fact remains that the choreographic results are frequently beautiful and never less than fascinating.
Three large, grey, horizontal screens mounted on tall armatures resembling oil pumps occupy the centre and sides of the performing area. On a small screen the moving image of a running greyhound looks like an ...
Weiterlesen mit dem digitalen Monats-Abo
Sie sind bereits Abonnent von tanz? Loggen Sie sich hier ein
- Alle tanz-Artikel online lesen
- Zugang zum ePaper
- Lesegenuss auf allen Endgeräten
- Zugang zum Onlinearchiv von tanz
Sie können alle Vorteile des Abos
sofort nutzen
Miro Magloire ist seinem Namen zum Trotz ein freischaffender Komponist aus Deutschland, der einst bei Mauricio Kagel in die Lehre gegangen ist. In der Ballettbranche kennt man ihn eher als einen Korrepetitor, der am Klavier wahre Wunder vollbringt. David Howard hat er begleitet, Lupe Serrano, Gelsey Kirkland, Kevin McKenzie und immer wieder Wilhelm Burmann,...
Upcoming Japanese theatre director Toshiki Okada explores inventive methods of contemporary acting, focusing especially on the dissimilarity of physical movement from text. Since establishing his own company, chelfitsch, (from a child’s pronunciation of “selfish”) in 1997, he has questioned the predominant acting style of conventional theatre’s Stanislavski-method...
Philosophie macht Spaß, Tanztheater auch. Das ist das Motto von Marcia Barcellos und Karl Biscuit, den Gründern von Système Castafiore. Die beiden sind angetreten, um mit den Waffen der Kunst der entzauberten Welt wieder etwas Poesie einzuhauchen.
No more heroes? Das gibt es nur noch in der braven guten Kinderstube, die sich vor falschen Vorbildern schützen soll,...
