Birgitta Egerbladh: «My Heart is Bursting»

Schweden

Tanz - Logo

Simultaneously with the bursting of the first buds in the backyards of Stockholm, hearts are bursting in Birgitta Egerbladh’s dance-theatre-opera “Mitt hjärta brister,” collage of dance, theatre and opera presented in a sketchy non-linear fashion – reflecting real life. “Mitt hjärta brister” could be seen as a sequel to “Händelser i hemmet” (What Happens at Home). This time Egerbladh is examining not the physical risks but the emotional hazards lurk­ing in our seemingly secure homes, despite all their labour-saving and comfort-increasing furnishings and fittings.

Trivial scenes from everyday life are fuelled with operatic drama – which works quite well since life is constituted of 99% cliché, where words have lost their mean­ing but the body still tells the truth. But unlike plates crashing, hearts burst almost unnoticed. Perhaps this is the reason why the physical expression here is more subdued than in previous works, as if Egerbladh is trying to get her audience to be more attentive. The three dancers, Françoise Joyce, Bernard Cauchard and Elisabet Karlsson, are skilful in getting this low-key choreography across to the audience. They have all worked with Egerbladh for some time ...

Weiterlesen mit dem digitalen Monats-Abo

Sie sind bereits Abonnent von tanz? Loggen Sie sich hier ein
  • Alle tanz-Artikel online lesen
  • Zugang zum ePaper
  • Lesegenuss auf allen Endgeräten
  • Zugang zum Onlinearchiv von tanz

Sie können alle Vorteile des Abos
sofort nutzen

Digital-Abo testen

Tanz August/September 2007
Rubrik: Der Kalender, Seite 89
von Lena Andrén

Vergriffen
Weitere Beiträge
Édouard Lock

There is genius at play in Édouard Lock’s new ballet, “Amjad.” As a product of his evolving exploration of pointe work – it’s been four years since the choreographer first brought his last creation, “Amélia,” to a Montreal stage – the new ballet has nothing to do with copycat imitation. Instead, Lock invests heavily in ironic juxtapositions of Romantic era...

The Independent: Constanza Macras

You are rehearsing “Brickland” at the moment with your company, Dorky Park. The piece, I understand, will be dealing with Second Life, gated communities, and Scientology. Watching your rehearsals five months ahead of the Schaubühne premiere in Berlin, it all seems to be taking shape and running quite smoothly ... It’s true, it’s a long time to the premiere. It...

Dieter Heitkamp

«To be a performing artist in the next century, you have to be an educator, too.»  Sir Simon Rattle

Stellt sich die Frage: Why not in this century? Jeder Musiker, jede Tänzerin, jeder Schauspieler, jede Regisseurin sollte in die Lage versetzt werden, ihre oder seine Ideen zu vermitteln und diese umzusetzen. Junge Künstler müssen überdies mehr als ihr Handwerk...