Cirkus Cirkör: «Havfruen»

in Stockholm

Tanz - Logo

As a tribute to the Hans Christian Andersen anniversary, the Danish theatre Kaleidoskop and the Swedish contemporary circus company Cirkus Cirkör created “Havfruen“ based on “The Little Mermaid,“ one of HC Andersen‘s most complex (and autobiographical?) tales. Not as innocent as Disney would like us to believe, “The Mermaid“ is a story about sexual awakening, the courage to go against “nature“ and become something one was not intended to be – and the subsequent realisation of its impossibility.


In comparison to the over-the-top burlesque of “Romeo and Juliet,“ the first collaboration between theatre director Katrine Wiedemann and circus director Tilde Björfors, this is a very different kind of performance. “Havfruen“ is created in the post modern minimalist style of Robert Wilson that demands the audience to stay alert – with eyes and minds wide open – and those who do are richly rewarded. The imaginative set design by Martin Tulinius features a mezzanine stage that can be lowered, raised, turned and tilted to give the impression of an under- and above-water level, a meadow, a wall etc. Just as stimulating is the light design by Mikael Sylvest and composition by Mads Ljungdahl that ...

Weiterlesen mit dem digitalen Monats-Abo

Sie sind bereits Abonnent von tanz? Loggen Sie sich hier ein
  • Alle tanz-Artikel online lesen
  • Zugang zum ePaper
  • Lesegenuss auf allen Endgeräten
  • Zugang zum Onlinearchiv von tanz

Sie können alle Vorteile des Abos
sofort nutzen

Digital-Abo testen

Tanz Januar 2006
Rubrik: On Stage, Seite 41
von Lena Andrén

Vergriffen
Weitere Beiträge
Toby Kassell

I would like to tell a story that changed the way I perceived myself in tights forever. When I was 24 years old one of my childhood friends tragically died of AIDS. I received a phone call late at night and was grief stricken. The next morning I decided to try go to work as usual and I was doing very well until my hand touched the barre and I became aware of...

Football, c’est full impro, quoi?

Könnten nicht Ballettkritiker an Premierensamstagen im Radio etwas Ähnliches machen wie Fußballreporter bei der Bundesliga? Wäre es nicht reizvoll, eine Ballettaufführung live zu kommentieren? Vergleiche und Statistiken etwa, wie sie in den Fußballsendungen häufig angeführt werden, ließen sich zu berühmten Klassikern im Tanz leicht zusammenstellen. Statt die...

Ballets Russes

The documentary film Ballets Russes sets out to explore the two Ballets Russes, Ballets Russes de Monte Carlo and the Original Ballet Russe, both created after the Diaghilev era, who died in 1929. The San Francisco Bay Area based filmmakers Dayna Goldfine and Dan Geller interviewed many dancers who were involved, including Alicia Markova, Frederic Franklin, Maria...