Cirkus Cirkör: «Havfruen»

in Stockholm

Tanz - Logo

As a tribute to the Hans Christian Andersen anniversary, the Danish theatre Kaleidoskop and the Swedish contemporary circus company Cirkus Cirkör created “Havfruen“ based on “The Little Mermaid,“ one of HC Andersen‘s most complex (and autobiographical?) tales. Not as innocent as Disney would like us to believe, “The Mermaid“ is a story about sexual awakening, the courage to go against “nature“ and become something one was not intended to be – and the subsequent realisation of its impossibility.


In comparison to the over-the-top burlesque of “Romeo and Juliet,“ the first collaboration between theatre director Katrine Wiedemann and circus director Tilde Björfors, this is a very different kind of performance. “Havfruen“ is created in the post modern minimalist style of Robert Wilson that demands the audience to stay alert – with eyes and minds wide open – and those who do are richly rewarded. The imaginative set design by Martin Tulinius features a mezzanine stage that can be lowered, raised, turned and tilted to give the impression of an under- and above-water level, a meadow, a wall etc. Just as stimulating is the light design by Mikael Sylvest and composition by Mads Ljungdahl that ...

Weiterlesen mit dem digitalen Monats-Abo

Sie sind bereits Abonnent von tanz? Loggen Sie sich hier ein
  • Alle tanz-Artikel online lesen
  • Zugang zum ePaper
  • Lesegenuss auf allen Endgeräten
  • Zugang zum Onlinearchiv von tanz

Sie können alle Vorteile des Abos
sofort nutzen

Digital-Abo testen

Tanz Januar 2006
Rubrik: On Stage, Seite 41
von Lena Andrén

Vergriffen
Weitere Beiträge
Wie der Fußball aus dem Tanz entstand

Beim Fußball geht es nicht nur darum, dass das Runde ins Eckige gestoßen wird. Ohne die Welle «La Ola», ohne die Schmähgesänge und Triumphlieder der Fans, ohne Trommeln und Klatschen, ohne elegische Hymnen («You‘ll never walk alone») wäre der Fußball im Stadion eine ton- und trostlose Angelegenheit. Wo Stimmung herrscht, ist der Tanz nicht weit. Tatsächlich findet...

Darling Mårten

Darling Mårten, if there is any one person merited to be called the Diva of Swedish dance it is you, Mårten Spångberg. Like no one else you can do whatever you like on stage – and get the ordinary audience as well as the elite come running for tickets. Now you have new venture, the solo “Heja Sverige” (Go for it Sweden!), performed in the studio of Moderna...

Bournonville’s: «La Sylphide»

The 200th anniversary of August Bournonville‘s birth prompted two companies on either side of the Atlantic last autumn to stage new productions of the revered Danish choreographer‘s most widely seen ballet, “La Sylphide.“
Each company turned to a Dane nurtured in the Bournonville tradition at the Royal Danish Ballet but now dancing outside his homeland. For its...