Shiva Britannica
India was the most magnificent jewel in the crown of the British Empire for two centuries. The period of the Raj spawned a rich cultural exchange that initially seemed to flow strongest from West to East. The exchange continues today but with the flow emphatically in the opposite direction. English vocabulary is so thoroughly littered with words from the Indian subcontinent that many English speakers are not even aware of their etymology.
The mutual exchange of gifts has been generous and embraces textiles, sports, architecture, music, food and religion; but it was only during the twentieth century that a significant exchange between theatrical dance cultures began. The mixed marriage that was initiated by Pavlova, Uday Shankar, Markova and Ram Gopal has produced increasingly fecund progeny in Akram Khan, Shobana Jeyasingh, Mavin Khoo and many others.
There are a number of different Indian dance forms including Kathakali, Kuchipudi and Odissi but in Britain the strongest forms are Kathak and Bharata Natyam. Kathak originated in the Mughal courts of northern India. Exotic dancers, including early flamenco influences, were imported from Spain and Algeria to perform at the courts. ...
Weiterlesen mit dem digitalen Monats-Abo
Sie sind bereits Abonnent von tanz? Loggen Sie sich hier ein
- Alle tanz-Artikel online lesen
- Zugang zum ePaper
- Lesegenuss auf allen Endgeräten
- Zugang zum Onlinearchiv von tanz
Sie können alle Vorteile des Abos
sofort nutzen
Joséphine Baker zählt zu den populärsten Künstlerinnen des 20. Jahrhunderts. Ihr legendärer Bananen-Gürtel schrieb Theatergeschichte, ihr Chanson «J’ai deux amours» wurde zum Evergreen und zur Baker-Hymne. Sie war die Königin des Charleston der goldenen Zwanziger Jahre, die Diva der Folies-Bergère und des Casino de Paris. Und sie war die Mutter der...
Ob Verdi oder Astor Piazzolla, Leo Brower oder die spanische Rockgruppe «Triana» – kaum ein musikalisches Genre, an die sich der Tänzer Javier Antonio García Expósito, «Javier Latorre», nicht gewagt hätte. Bis Ende der 1990er Jahre galt Latorre, 43, als einer der bedeutendsten Flamencotänzer seiner Zeit. In so bekannten Kompanien wie dem Ballet Nacional, der...
While female choreographers in their forties ponder upon their identities and their place in the world, today’s young choreographers are going through the walls without stopping. They don’t ask for anyone’s permission or apologize for their uninhibited drive. 25-year old Eeva Muilu, in her third year studying choreography at Theater Academy in Helsinki and...
