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In Mirror, Alexander Whitley explores how motion capture, AI and digital avatars transform the dancing body

by Stefan Benz

Seven cameras film two people on stage wearing full-body suits covered in a multitude of tracking markers. Their movements are altered and multiplied in real time, then projected both in front of and behind the scene. This creates a virtual dance between human and avatar. Is what you are doing with Mirror cutting-edge technology?
We employ a whole range of different technologies in this production—some are relatively new, while others have been around for quite some time. We use a motion-capture system on stage; that technology has existed for a few decades.

It’s known from the movies.
Exactly. It’s used a lot in films and video games. But using it in the theater is still unusual.

What the cameras record is converted into images in real time. The film industry doesn't do that, nor does it ...

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