Suddenly, one of the three performers is very close, looking directly at me. Before her body collapses, her head rests on my arm. Finally, she separates and rejoins the rhythm created by the other performers by tapping and shifting their body parts on the walls and floor.
study now steady by the American choreographer Ligia Lewis celebrated its European premiere at the end of May at the DANCE festival in Munich's Haus der Kunst and opens up an intense experiential space for both performers and audience. Lewis deconstructs choreographic material from previous works: The performers embody memories unknown to the audience. The resulting performance is intimate, challenging, and enigmatic. The movements play with ambiguity, yet it is clear that stories of resistance and experiences of violence ...
