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Draguignan

Hillel Kogan thisispain

by Dorion Weickmann

Is flamenco Spanish? What is typically European, typically Israeli? And anyway — why does flamenco dancer Mijal Natan, who lives in Jerusalem, have a German passport? All these questions arise during the one-hour evening presented by dancer-choreographer Hillel Kogan as part of "Dance Exposure 2024" at the Suzanne Dellal Centre in Tel Aviv. The traditional showcase of Israeli dance, which is presented every December, took place online for the foreign participants – under the current circumstances, the only way to make the country's still vibrant scene visible to the world.

thisispain was created at the end of 2022. Already in its title, Kogan plays with the term "pain" inscribed in red capital letters on the back wall. After all, the duo Kogan & Natan aren't concerned with any Hispaniola legend, but rather with the diverse forms of pain, grief, and loss. Both of them are magnificent performers, their virtuoso zapateados are imbued with melancholy. Kogan, a trained ballet dancer, learned the art of performing in clacking shoes during her training. Mijal Natan, in contrast, "simply fell in love with dance," as she explains in one of her numerous dialogues.

Flamenco and language act as the outer skin of a performance whose heart beats to the rhythm of multiple identities. It's astonishing how much humor, how much self-ironic and critical attitude the duo uses to lean out the window of provocation. Spain? The land of double exclamation marks: "¡Macho!" Kogan paints in the air. Cubism? "Has destroyed beauty." Catalan, Andalusian, "Gypsy," "What the hell do I care?" Why all the divisions, separatisms — don't people live better, safer, and more prosperous lives under common roofs? The sole beneficiary of all conflicts and splits is "the arms industry". At this point, at the very latest, it becomes clear: this is, partly explicitly, partly through the back door, about the distortions of the present, about the coexistence of "Christians, Muslims, Jews". The Israeli homeland? A permanent war zone. Save yourself if you can. So, in a highly comical scene — outstanding stand-up — Kogan contacts the embassies of Moldova, Romania, and Spain to find out how he can obtain citizenship in the countries of his parents' and grandparents' origins. While Mijal Natan has a German passport because her grandfather had to flee the Nazis. On a linguistic level, thisispain is a highly political piece; the somnambulistic dance is governed by a powerful spirit of contradiction. Small, yet truly grand theater!

Back in France in Draguignan, 5 April; Suresnes, 8 April; Poitiers, 10, 11 April; Yverdon-les-Bains, 9 May; www.hillelkogan.com and in Ludwigshafen, Theater im Pfalzbau, 14 May; www.theater-im-pfalzbau.de