Elisabetta Terabust
Born in Varese in 1946, Terabust trained at the Opera di Roma ballet school and became étoile at the Rome Opera House in 1972. She is the VIP 2007 of the Italian ballet world. Recently appointed director of La Scala Company, to start on 1st September 2007, she takes over from Frédéric Olivieri, who has been appointed director of the Milanese ballet school following the retirement of Anna Maria Prina.
It is the second time Terabust has taken the helm at the Scala Company.
She previously resigned from the same position after four years (1993-1997), during which she discovered and promoted such talented young dancers as Roberto Bolle and Massimo Murru. If the usual disputes with artists’ trade unions persuaded her to quit that time, we will have to wait and see if she is now able to manage – not solve, of course – the problem, while still assuring the quality of the company.
Her taste as far as repertory is concerned is linked to her professional experiences, from Bournonville (partnering Erik Bruhn) to Tetley and Milloss, having danced for many years with the former London Festival Ballet (now English National Ballet) in Great Britain, for Roland Petit, whom she often invited to ...
Weiterlesen mit dem digitalen Monats-Abo
Sie sind bereits Abonnent von tanz? Loggen Sie sich hier ein
- Alle tanz-Artikel online lesen
- Zugang zum ePaper
- Lesegenuss auf allen Endgeräten
- Zugang zum Onlinearchiv von tanz
Sie können alle Vorteile des Abos
sofort nutzen
Diskussion über kulturelle Bildung: Was ist das? Wer hat sie? Wer vermittelt sie? Wem nutzt sie, was leistet sie, wie kann man sie messen? Soll man sie messen? Braucht man sie überhaupt? Und gehört der Tanz eigentlich dazu? Landauf, landab beschäftigen sich Symposien, Tagungen, Konferenzen mit Fragen zur kulturellen Bildung. Wobei der Begriff «Bildung» typisch...
Aus großen Städten kommen große Talente. Klingt einleuchtend. Ginge es danach, müssten Fumie Suzuki und Keiko Igushi mitten aus Tokio stammen. Und sie tun es tatsächlich, auch wenn sie inzwischen versuchen, über Paris in Europa Fuß zu fassen. 86B210, der Name ihrer Kompanie, klingt wie ein Geheimcode. Die zwei Japanerinnen verfügen inzwischen über ein stattliches...
John Scott has been a presence – although often unnoticed – on Ireland’s dance scene for some years now. Also often misunderstood, his rattlebag of literary and physical influences has given birth to a vocabulary and form unlike those around him. Small in scale, but large in vision, his recent creations unapologetically mix Ireland’s slickest freelance dancers with...