The Hungry Man
Hungarian choreographer Attila Kun has been riding a bumpy road lately which every now and then throws up quite a stumbling block. He nevertheless managed to direct his energies at the stage for his work “Mindegy” (Hungarian for “Whatever …”), performed earlier this year at Budapest’s Trafó House of Contemporary Art. “Whatever …” demonstrated some of the cleanest, tightest and most virtuoso dance movements created by a young contemporary choreographer in Hungary in recent memory.
Attila Kun returned to Hungary three years ago from London to found PR-evolution Dance Company, having previously danced away from his native Budapest to see the world. A classically trained artist, in his late twenties he sold his apartment and forfeited a career at the Hungarian opera in order to connect with modern dance companies in Europe and free himself of his communist-era baggage. His voyage took him knocking on doors in Zurich, Helsinki and Amsterdam, and he was eventually rewarded in London, where he was hired for a three-year stint with the illustrious Rambert Dance Company.
“I was very much in a state of shock. Not just physically in terms of the body, but also the tempo and mentality were ...
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As the performance opened, the frail figure of Higginbotham was slumped in a beach chair in what looked more like a gravel-pit than an exotic beach, in spite of the artificial sunshine and fluffy clouds. Her movements as well as her monologues held the essence of the performance. One of the most memorable monologues was her naming of personal belongings, her voice...
Eine Frau klammert sich an eine Tischkante, mobilisiert alle Kräfte. Jede Sekunde scheint eine Ewigkeit. Sie reißt den Tisch hoch, baumelt daran wie an einer Felsklippe, stürzt ab. Für den Betrachter blitzen unzählige Bilder aus allen möglichen Geschichten und Genres im Kopf auf. Action, Katastrophen, Reality. Im nächsten Augenblick eine ungeheure Soundexplosion,...
Kinshasa, (Kongo), die verbotene Stadt.
Gibellina (Sizilien), die tote Stadt.
Frankfurt (Main), die geometrische Stadt.
Drei Bildschirme und drei klare Alternativen.
«From Inside» ist Thierry De Meys erste Installation,
in der das Publikum bestimmt,
wohin die Reise geht.
Forsythes Tänzer gefilmt, als wohnten sie
in den Tischen aus
«One Flat Thing Reproduced».
Sie...
