Ido Tadmor
Controversy seems to follow all the career choices of brilliant dancer Ido Tadmor. He started dancing in his early twenties, when his openness about his sexuality was groundbreaking and made life easier for many who followed, though frequent usage of his naked body as an expressive tool didn’t quite catch on locally.
In the last couple of years he has become a household name in Israel, thanks to appearances on TV, in film, and in the gossip columns, and particularly owing to his role as authority on dance in the popular TV show “Born to Dance.
” He has neglected his company lately in favour of working off his overdraft. Some think he has sold out. Most of them would switch places with him in an instant, commercials and all.
Seventeen years ago, when Ohad Naharin became artistic director of Batsheva, some of the dancers didn’t see their future with the company anymore. Naharin was looking for a certain potential, not dancers who already had their style. One of them, Ido Tadmor, left Batsheva in the early 90s and joined Lar Lubovitch’s company as a soloist. His short career abroad ended after he suffered serious injuries performing on the stage of the Lincoln Center.
He came back to ...
Weiterlesen mit dem digitalen Monats-Abo
Sie sind bereits Abonnent von tanz? Loggen Sie sich hier ein

- Alle tanz-Artikel online lesen
- Zugang zum ePaper
- Lesegenuss auf allen Endgeräten
- Zugang zum Onlinearchiv von tanz
Sie können alle Vorteile des Abos
sofort nutzen
Mustafa Kaplan war Ingenieur, Filiz Sizanli Architektin in Istanbul. Ich erwähne das, obwohl ich hoffe, dass sie von nun an nicht immer so vorgestellt werden. Man sieht es natürlich. Nicht plakativ wie die Faust aufs Auge oder als Running Gag. Es engt auch ihren Blick nicht stilistisch oder thematisch ein. Ich bin versucht zu sagen: Das unterscheidet sie positiv...
Meg Stuart accomplished an extraordinary “tour de force” this year, presenting three new shows, working with different people each time. It is remarkable that she can do this without “using” her dancers in the old-fashioned way – as a means to an end, i. e. as people who perform what she has in mind. On the contrary, in all of these three pieces different aspects...
Will ich in Tokio Unterricht nehmen in japanischem Bogenschießen, kann ich nicht einfach in ein Studio gehen und loslegen. Ich benötige einen japanischen Bürgen, der für mich spricht, ein gutes Wort einlegt. Nur so erhalte ich die Einladung zu einer Probestunde, die darin besteht, dass ich – im Beisein des Bürgen – den Übenden zuschauen darf.
Zweieinhalb Stunden...