Ashley Page

took over the ailing and battered Scottish Ballet two years ago. Many thought it would take a decade to turn the company around but Page did it in just one amazing year. Now, in his annus mirabilis, he adds to his “Nutcracker” a new full length “Cinderella

The Lazarus Trick

Most people shook their heads sorrowfully when Ashley Page was appointed as Artistic Director of Scottish Ballet in 2002. The general opinion was that this once great company had lost its sense of direction after the death of the inspirational director and choreographer Peter Darrell in 1987. The Board had agonised many times about whether the company should remain as a ballet troupe or as a smaller modern dance group.

This sort of situation, familiar to dance-lovers world-wide, usually ends with money deciding all the major issues amid a climate of general artistic hand-wringing. Page was going to drink from a poisoned chalice and regret it forever. Optimists suggested that it would take a decade of hard work to turn around the fortunes of the company. Amazingly, within a year Page seemed to have succeeded in accomplishing the impossible: a motivated, enthusiastic band of dancers with support from the Board and government; and an eclectic, exciting modern repertoire developing the tastes of a new audience. He created his first full length work, “The Nutcracker” in December 2003 to draw a popular audience and is about to reveal his new “Cinderella“ this month. All ...

Weiterlesen mit dem digitalen Monats-Abo

Sie sind bereits Abonnent von tanz? Loggen Sie sich hier ein
  • Alle tanz-Artikel online lesen
  • Zugang zum ePaper
  • Lesegenuss auf allen Endgeräten
  • Zugang zum Onlinearchiv von tanz

Sie können alle Vorteile des Abos
sofort nutzen

Digital-Abo testen

Tanz Dezember 2005
Rubrik: Portrait, Seite 18
von Mike Dixon

Vergriffen